But 42mm on Sony’s APS-C cameras is more palatable, which is how many people end up using this lens.See the Sony 28mm f/2. Contrary to popular belief, good lenses don’t have to cost you a new mortgage. And although the 16-35mm f/2.8 below may be the most versatile wide-angle option for FE, the Zeiss Batis 18mm f/2.8 is the premier prime. It's well-built and is pretty compact, but it's still not quite perfect. This may be a deal breaker for some, but those who try manual focus often find that it’s relatively easy, accurate, and fun. For around $550, you get excellent sharpness (even when wide open), fast and accurate autofocus, premium build quality, and a reasonable weight of 13.1 ounces. But we have a very hard time passing on a G Master lens when available, not to mention the f/4 is good but not great from an optical perspective. You get a whole lot of sharpness and bokeh for an f/1.8, and autofocus is excellent. Aside from the common complaint of Sigma lenses being bulky and heavy, the major concern with the 35mm f/1.4 Art is the speed of the autofocus. First, we love the effort. Category: Travel/portraitWeight: 31.3 oz.What we like: Superb image quality.What we don’t: Heavy and expensive. Sonyâs A7 Series full-frame mirrorless cameras are an instant hit amongst travel photographers who need the quality imagery that full-frame DSLRs produce minus the bulk associated with it. It’s a tough call between this and the Batis 18mm above, which has autofocus and is wider from a focal length perspective but offers similar overall image quality. The small pancake lens fits easily with the rest of your equipment and comes in handy when youâre on the go. In addition, the Sigma isn't completely weather sealed, although it does feature a surface treatment and rubber sealing at the mount connection point, instilling a bit more confidence for those venturing into tough conditions.See the Sigma 85mm f/1.4 Art. A smart hack that experienced photographers will probably tell you is that you can seek out third-party lenses that are compatible with your camera brand and achieve the same effect: high-quality images. However, from an optical standpoint, this lens just doesn’t stack up. In addition, the lens is reasonably light at 11.6 ounces and built to last. Before the 24-105mm f/4, the Sony lineup felt like it was missing that reasonably priced, Swiss Army Knife of lenses. More, the 55mm f/1.8 is considerably lighter than the 50mm f/1.4 (9.9 ounces vs. 27.4 ounces). All in all, we understand the convenience factor and think it’s an okay solution for those on a budget, but for serious photographers, it ultimately falls short.See the Sony 24-240mm f/3.5-6.3. At around $450, this is the cheapest FE lens on this list by quite a bit. Read more about us. Cine Zoom Lenses Sony FE As you'd imagine, Sony makes its only quality glass with some great full-frame options for stills and video both prime and zoom. Bear in mind the lens isnât created for video, just for still photography, and you need to be prepared for some noise when youâre using the autofocus.Â. Many people considering this lens are on the fence between it and the 24-70mm GM above. Make sure to keep focal length equivalent in mind: FE lenses will be 1.5x longer on an APS-C camera (a 50mm lens will behave like a 75mm lens, etc.). Reports on this topic are mixed, however, and the cost savings is significant enough that the value and image quality may outweigh any autofocus concerns. Interestingly, this lens is one of the first fixed focal length lenses in the DT series designed specifically for DSLR cameras with an APS-C sensor. You'll get more hunting than with Sony's native lenses and the Sigma can have a hard time locking in, which can be quite frustrating when shooting moving subjects. The lens is retractable, meaning when powered it expands, but returns to its âstartingâ position when powered off. If all that is true, it means that with GM lenses you are future-proofing your purchase in a way—it takes a very precise piece of glass to match that magnitude of an image sensor. This Canon Zeiss lenses in particular are known for being able to withstand the elements. There is a lot to like about the 28mm f/2 from Sony, and most notably the price. You always can walk closer to your subject to mimic a 35mm or 50mm lens, but 28mm certainly wouldn’t be our first choice. That lens is reasonably sharp (the images do tend to soften up a bit toward the corners), much lighter than the f/2.8 at 29.6 ounces, and $1,000 cheaper. Keep in mind that APS-C camera sensors are smaller than 35 mm full-frame sensors, so their stated focal length will apply to that sensor size. Now we have used the test data obtained during the A7R IV Sensor test to re-compute the results for a total of 25 E-mount lenses that the Sony camera is ⦠See the Sony 24-105mm f/4. In addition, the build quality of GM lenses is superb, with premium elements and weather sealing (outdoor and travel photographers make up a big part of Sony’s constituency so this makes a lot of sense). But times have changed, including the release of the Sony 200-600mm f/5.6-6.3, resulting in more telephoto options for FE. Portrait photographers have a number of intriguing options at the 85mm focal length, but our favorite of the bunch is the Sony 85mm f/1.8. Distortion is heavy, softness is present and particularly in the corners, and the OSS image stabilization is largely unnecessary (Sony has added built-in image stabilization to all of its latest camera bodies). In terms of competitors, we’ve included the Sigma 85mm f/1.4 Art below, which also is tack sharp and faster by two-thirds of a stop, but incredibly heavy at a whopping 39.1 ounces. With the introduction of the FE mounts, Sigma has eliminated the need for adapters that compromised performance—each lens has an autofocus drive control program that enables them to match the capabilities of the Sony bodies (in theory, at least). Finally, adapters are expensive and aren’t exactly known for their reliability. It’s extremely sharp all the way to the corners, excellent in low light for a wide-angle zoom, and creates crisp, life-like images that are hard to replicate outside of the GM family. Its small and lightweight nature is unobtrusive on the camera and makes it ideal for traveling. Learn more about this lens in our full review of the Sigma 19mm f/2.8 EX DN. It's also worth noting that Sigma lenses generally are bulky and heavier than the field, but the cost savings and performance are what catches most people's attention. From an image quality standpoint, the 55mm f/1.8 is surprisingly impressive. And you will be sacrificing low light performance and depth of field with the aperture maxing out at f/4. However, the f/1.4 is more than three times the price of the f/1.8 and more than double the weight, and it may even be a little softer to boot. But if you’re into manual lenses or you’re up to the challenge, then the Neewer 35mm f/1.7 is worth taking into consideration. Category: TelephotoWeight: 52.2 oz.What we like: Pro-grade image quality and build.What we don’t: Super heavy and expensive. Lumoid tracks all-time low prices for thousands of photography-related products. It’s helpful to have a few lenses to choose from, but not everyone has the means to invest in a lot of top-end, highly-priced lenses. This lens is tack sharp even when wide open, produces creamy bokeh that you just can’t replicate with a slower lens, and boasts excellent build quality. We use affiliate links and may receive a small commission on purchases. The Sony/Zeiss marriage is somewhat unique in the world of photography and has been going on for two decades and counting. Itâs also worth noting that the range of lenses for Sony full frame cameras is steadily growing, and offers every focal length most photographers would ever need. Since the front element is multi-coated, the lens effectively reduces flare and ghosting, thus allowing you to capture some creative images. And with the high ISO capabilities of Sony cameras, there really isn't much reason to spend the additional $500 to gain less than a stop in aperture. You definitely can have a positive experience with adapters, but it is a potential headache that you won’t have when using native FE lenses. And realistically, the large focal length range of the 24-240mm means that it's lacking in pro-level optics. Throughout this post, you’ve seen some amazing examples of lenses that are not only conveniently priced, but also outstanding in terms of quality of images they provide. All things considered, it’s one of the best values on this list and an extremely fun lens to have in your bag. Category: PortraitWeight: 13.1 oz.What we like: Super sharp, lightweight, and a great value. 1. Finding cheap lenses for Sony cameras is pretty easy because they come at a variety of prices, and one can also find third-party lenses. ), the larger the opening and the more light can enter. A handful of years ago, Sony released its first “GM,” or Grand Master, lenses, which are the premium full-frame zooms for Sony mirrorless. The f/1.8 aperture delivers outstanding image quality that can cut your subject out neatly from the background. If you’re looking for the top FE zoom in terms of optical quality, the 24-70mm f/2.8 GM is it. Thanks to our inspection and grading process, youâll never have to worry about getting cheap Sony lenses.We offer autofocus lenses ⦠Category: TelephotoWeight: 30.1 oz.What we like: A relatively inexpensive telephoto option for FE. As of fall of 2020, there are ten GM lenses to choose from: the 16-35mm f/2.8 GM, 24mm f/1.4 GM, 24-70mm f/2.8 GM, 85mm f/1.4 GM, 100mm f/2.8 GM, 135mm f/2.8, 70-200mm f/2.8 GM, and 100-400mm f/4.5-5.6 GM, 400mm f/2.8 GM, and 600mm f/4 GM. If you are ok with manual focusing lenses and are looking for something optically very sharp and at a reasonable budget then the Samyang 85mm f/1.4 is an excellent choice. If you prefer autofocus, this lens may not be for you. All things considered, it may be the best 24-70mm f/2.8 on the market from any brand. For even more reach, see the 100-400mm below (and yes, it’s a GM).See the Sony 70-200mm f/2.8 GM. In terms of numbers, we generally make the professional cutoff at f/2.8. Looking for cheap Nikon or Canon lenses? Enter the 100-400mm f/4.5-5.6, which is another premium lens in Sony’s heralded G Master lineup. It’s extremely sharp all the way to the corners (Zeiss primes are known for their sharpness), has little distortion, incredible color rendition, and fast autofocus. But with the high ISO capabilities of Sony's latest cameras, this may be an acceptable trade-off for the cost savings and increased reach. The first is price—$2,000 makes it considerably more costly than either the Canon 24-70mm f/2.8 or Nikon 24-70mm f/2.8. A large number of FE-mount and E-mount lenses are co-branded (called “Sony/Zeiss”). Make sure to keep focal length equivalent in mind: FE lenses will be 1.5x longer on an APS-C camera (a 50mm lens will behave like a 75mm lens, etc.). Once a week, we curate and send you the best deals so you can save money on the hottest photography, drones, and accessories. The Sony 16-55mm f/2.8 is second on my list of the best options for the a6100 because it is an all around spectacular lens.. The zoom vs. prime distinction varies by camera type, and Sony now has a strong batch of FE zooms (the f/2.8 trifecta of 16-35mm, 24-70mm, and 70-200mm is now covered). Because of Zeiss’ stellar reputation in optics, these are highly regarded lenses that can go head-to-head with just about anything on the market. The Meike MK FE 50mm f/1.7 is not only affordable but also compatible with Sony FE E-Mount mirrorless cameras. What are the major differences, aside from the price? Sony has two lens mount types: FE (full frame) and E (APS-C). When you factor the significant discount, serious portrait photographers should have a lot to like about this lens. See the Sony 85mm f/1.8. But Sony later added the G Master version, which—for serious landscape photographers and other wide-angle professionals who frequently shoot at night—is difficult to pass up. What are the downsides of the Sony 12-24mm f/4? Multiplying the APS-C lens focal length by a crop factor of 1.5, reveals the ⦠Given the Sigma options for Canon and Nikon full-frame cameras, we expect to see various zooms hit the market in the future. It’s ridiculously sharp all the way to the corners, reasonably fast at f/2.8, and built like a true pro lens. But most people will be happy saving with the f/4. The Sony 24-240mm f/3.5-6.3 does cover a healthy range of focal lengths from wide angle to telephoto—it’s the only lens on this list that does so. Category: Travel/portraitWeight: 15.2 oz.What we like: Versatility at a good price point. The Sony DT 50mm f/1.8 SAM boasts a large aperture that will give you great portraits and amazing images even in dim interiors or when shooting at night. For comparison sake, the conventional aperture usually creates unappealing polygonal-shaped defocused points of light. As mentioned above, we appreciate the lower price point and smaller size of the 55mm f/1.8, but for those who want even more low light performance and bokeh, the Sony 50mm f/1.4 is the ticket. It takes most decision making and lens switching out of the equation. These issues aside, it’s a really fun ultra wide that compliments the 24-70mm f/2.8 nicely in terms of focal lengths.See the Sony 12-24mm f/4. Autofocus operates in a quiet manner and makes the lens an excellent option for both still images and videos. Used Sony Camera Lenses, DSLR Lenses, Mirrorless Lenses View additional Sony Camera Lenses, DSLR Lenses, Mirrorless Lenses: Regular ... Used Sony Carl Zeiss Distagon T* FE 35mm F/1.4 ZA Full Frame E-mount NEX Camera Lens E+ 4.8. It’s not particularly sharp, has healthy levels of distortion, and the autofocus is mediocre. Compared to Canon's EF-mount lenses or Nikon's F-mount lens offerings, there still are fewer FE options of both types at this time (Sony is catching up, however). Sigma’s long-awaited Art lenses with Sony FE mounts finally hit the market, and the results have been strong. Aperture is measured in f-stops, and the lower the f-stop (f/2.8, f/1.8, etc. It was big news when Sony released the 16-35mm f/2.8 GM above, but they coupled that with the 12-24mm f/4. 55 reviews. So far, there have been some complaints about the speed and accuracy of the autofocus in a few of the Art series lenses, but that likely will be mitigated by Sigma in future firmware updates. Primes usually are smaller as well, but you may need to carry multiple lenses to cover your desired focal lengths. The good news is that the Sony 70-200mm f/4 is no slouch. If you shoot a lot of street and travel photography and are looking for a simple, high quality piece of glass to cover most of your needs, we'd highly recommend picking up a 35mm prime. The addition of the Optical Steady Shot image stabilization system decreases the effect of camera shake. What we don't: Slower than the Sigma and Sony 85mm f/1.4s. Unfortunately, with the wide array of lenses out there, it can be difficult to sort through them all and decide on what’s the best value for your hard-earned cash. Sonyâs FE 50mm f/1.8, for full-frame E-mount cameras, is ideal for taking portraits, but it can have other applications as well. What makes this lens so useful is the variety of features including the smooth autofocus motor (SAM), which directly rotates the focus mechanism for smooth operation and quiet performance. The first is versatility: it’s only worth spending the roughly $1,700 if you plan on using it frequently (and know how to, which is another challenge). It’s easy to think that you can only use Sony lenses on a Sony camera, but it doesnât have to be like that. Unlike most lenses with conventional apertures, the Sony DT 50mm f/1.8 SAM has a circular aperture which enhances the bokeh effect of the blurred background. This development has caused quite a stir in the market due to their remarkable sharpness, low light capabilities, and competitive pricing. A full-frame mirrorless camera like the Sony a7R IV is a super attractive option for serious landscape photographers, with a low weight and high-resolution sensor. 28mm is narrower than we prefer for big landscape shots, yet a little wide for travel photography and portraiture. One of our favorites is the 85mm f/1.4, which is extraordinarily sharp, creates beautiful bokeh, and stacks up competitively to Sony's f/1.4 GM in terms of image quality. Sony's FE 35mm F1.4 GM is an impressively sharp and long-awaited pro-level 35mm optic for full-frame Sony E-mount cameras. If telephoto lenses were a weakness of Sony’s FE lineup in the past, that simply is no longer the case. Our unbiased reviews, industry news, and opinion pieces are designed to inform and inspire the next generation of great photographers. Combined with the stabilisation in your lenses (should you have lenses with IS), you will be surprised at how long you can handhold the ⦠Full-frame cameras are the best of the best: they have the largest sensors, the most megapixels, and lenses that are simply unmatched. We’ll start by saying that we were an early adopter of the Sony 16-35mm f/4. Before the release of the 24-70mm f/2.8 GM above, the f/4 was the original FE lens option at this popular focal length. See the Sony 16-35mm f/4. What we don’t: Low light performance and softness toward the edges. Read the complete Meike MK FE 50mm f/1.7 review to see the features and benefits of this lens. You can't enjoy photos that you don't take. But with their 24-105mm f/4, Sony has a winner. The lens, which is quite compact and lightweight, allows users to shoot night scenes and take photos in dimly lit interiors with ease. By signing up you agree to our terms and conditions. What started as one camera article has expanded into a burgeoning section of information covering everything from inexpensive point-and-shoots to full-frame... Buying a Canon full-frame DSLR is a very exciting prospect, but deciding on the right lenses can be challenging. You can see the full f-stop scale here, and lower numbers make for more desirable (and expensive) lenses. The lens is super sharp, focuses quickly and accurately, and produces creamy bokeh. Ratings Distribution. This is really the key difference between the A7 II and the original, but that IS is very, very good. The good news is that FE lenses are compatible on APS-C cameras. And while we want to like this lens, it just doesn’t quite do it from an image quality perspective. Lenses are less at risk from the elements than camera bodies, but still can be negatively impacted by dust, moisture, and all of the things that can happen while shooting in extreme environments. The combination of features, quality and, of course, price, make it hugely attractive. The weight of the Sigma 85mm f/1.4 is by far its biggest downside. The New Flashpoint eVOLV 200 Pro: Compact Strobe-Like Power, The Elinchrom D-Lite RX 4/4: Quality, Budget Studio Lighting. For Sony FE, first came the mediocre Sony 28-70mm f/3.5-5.6, then the decent Sony 24-70mm f/4, but neither was up to professional standards at this crucial focal length range. When Is the Right Time to Upgrade Your Camera? Check out our top picks for those: Your email address will not be published. Both are easy to overlook if this is your most used focal length, but the 55mm f/1.8 does a pretty good job without those downsides. What we donât:A bit on the bulky side. Below we break down the best Sony FE (full frame) lenses, including zooms and primes from wide angle to telephoto. Impressively, the 100-400mm f/4.5-5.6 is roughly the same size as the 70-200mm f/2.8 above and comes in reasonably light for a lens of this type at “just” 49 ounces. The glass-molded aspherical lens improves the optical stability and precision to create sharper and more visually accurate images with minimal distortion. I love a medium wide angle prime like the Sony 24mm f/1.8 listed above, but a mid range zoom lens is more versatile. Required fields are marked *. 19 - Sony FE 24-70mm f/2.8 G Master (Full-Frame) Zoom lenses do have strengths and weaknesses in their performance, but there is little to complain about with this Sony FE 24-70mm f/2.8 GM lens. With all of this, keep in mind the old cliché, "tools not jewels." Clip Studio Paint Pro: A Cult Favorite with Serious Legs. LUMOID is an online magazine that lives at the intersection of the art of photography and the technology that powers it. Lumoid tracks all-time low prices for thousands of photography-related products. To learn more about the lens and see it in use, check out our Sony FE 50mm f/1.8 review. Accordingly, below is detailed information... Digital SLR cameras are among the best of the best: they have the largest sensors, the most megapixels, and the highest quality selection of lenses. Additionally, both of these lenses offer image stabilization, which proves to be incredibly useful when utilizing the higher ends of these focal lengths. Sony E PZ 16â50mm f/3.5â5.6 OSS Deals, The Pentax 645D: Still a Versatile Medium Format Camera, Sony DSC-WX350: One of the Smallest Point-and-Shoot Cameras Available, Nikon COOLPIX W150: A Basic Waterproof Point-and-Shoot Camera, Nikon Z5: A Powerful, Entry-Level Mirrorless Camera, Canon PowerShot ELPH 360 HS: A Simple Point-and-Shoot Camera, Nikon COOLPIX A1000: A Powerful Camera with a 35x Optical Zoom, Canon PowerShot SX530: A Simple Camera with a Powerful Zoom, Canon PowerShot G3 X: A Powerful Point-and-Shoot Camera with Advanced Utility, Canon PowerShot SX620 HS: A Solid Point-and-Shoot Camera with 25x Optical Zoom, Pentax 645Z: Affordable, Medium Format Fun, Venus Laowa 15mm f/2 Zero-D: Excellent, Wide-Angle Views, Nikon NIKKOR Z 35mm f/1.8 S: Ultimate Quality for Nikon Z Cameras, Sigma 18-300mm f/3.5-6.3 DC MACRO OS HSM Contemporary: Quality All-Rounder, Nikon NIKKOR Z 24mm f/1.8 S: An Excellent Prime Lens for Low-Light Photography, Profoto B10: Quality, Reliable Photography Lighting, ZEISS Loxia 35mm f/2: A Heavy-Hitting, Standard Prime, Samyang 35mm f/1.4 AS UMC: A Prime Lens Bargain, ZEISS Distagon T* f/1.4 35mm ZM: All-Round Capabilities, Amazon Fire HD 10: A Budget-Friendly Tablet for Everywhere You Go, Canon RF Lens Comparison: A New Breed of Optics, Lens Rental & Camera Rental: Practical Advice, Sony Alpha Series Comparison: Mirrorless Excellence, Basic Camera Maintenance You Can Do Yourself, 12 Photography and Camera Terms You Need to Know, PowerVision PowerEgg X: Amazing, Spherical All-Rounder Drone, The Eachine E520S: An Affordable 4K Camera Drone, StudioFX 2400 Watt: Affordable Studio Lighting, Cheerson CX-10: A Small, Cheap, and Cheerful Drone. 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