Man has now won the battle with his tools. Now, civilization is far more advanced than at the start of the film. [46] Poole is seen to be mouthing his moves to himself during the game and it is later revealed that HAL can lip read. All of these quotes will be from Joseph Gelmis’s interview with Kubrick in 1969. Clarke has suggested in interviews, his original novel, and in a rough draft of the shooting script that HAL's orders to lie to the astronauts (more specifically, concealing the true nature of the mission) drove him "insane". After the first encounter with the monolith, we see the leader of the apes have a quick flashback to the monolith after which he picks up a bone and uses it to smash other bones. ", "In Lost Interview, Stanley Kubrick Explains The Ending of 2001: A Space odyssey", "Stanley Kubrick Explains The '2001: A Space Odyssey' Ending in Rediscovered Interview", "Sometimes a Broken Glass Is Just a Broken Glass + Comment", http://www.visual-memory.co.uk/amk/doc/0069.html. [8] It seems to explain the ending of the film more clearly. According to John Thurman, HAL’s very existence is an abomination, much like Frankenstein’s monster. Orbiting Jupiter Summary and Study Guide. Modelers label them in diverse ways. Earth is just one amongst the many planets that is used as a harvesting ground to seed human life. Yep, kill. Orbiting Jupiter Ending . He said he did not deliberately strive for ambiguity, that it was simply an inevitable outcome of making the film non-verbal, though he acknowledged that this ambiguity was an invaluable asset to the film. This is the subject of Chapter 27 of the novel. ", "The Kubrick Site: '2001' & The Philosophy of Nietzsche", "The Semiotic Deception of September 11th", Gerard Loughlin p73 "Alien Sex: The Body and Desire in Cinema and Theology" (first edition 2003 Oxford: Blackwell. Then you have a second artifact buried deep on the lunar surface and programmed to signal word of man’s first baby steps into the universe — a kind of cosmic burglar alarm. [35] The second encounter also suggests the triggering of the monolith's radio signal to Jupiter by the presence of humans,[36] echoing the premise of Clarke's source story "The Sentinel". MacGregor argues that David Bowman in his transformation has regained his Dionysian side. Early, during the creation of the universe, a group of beings came into existence known as the “Firstborn” (Clarke). [73][74] Indeed, details worked out with input from space industry experts, such as the structure on the first satellite that Pietrobon refers to as a "conning tower", match the original concept sketch drawn for the nuclear bomb platform. In the final episode, the Robinsons embark on two important goals: 1. [56], Arthur C. Clarke, in the TV documentary 2001: The Making of a Myth, described the bone-to-satellite sequence in the film, saying "The bone goes up and turns into what is supposed to be an orbiting space bomb, a weapon in space. We see the apes are curious while sharing with each other, but are also territorial within their own species. This may affect one's reading of the film as a whole. A wandering Jupiter in the early solar system may explain why our planetary neighborhood looks so different, scientists say. So, if you’re interested, feel free to speculate a story and fill in the missing pieces if you wish — after all, that’s what he was trying to do with this film in the first place. When NASA noticed the signal emitted by TMA-1, they decided to send a handful of astronauts to Jupiter to discover what exactly the monolith’s piercing sound was pointing to. While the film remains ambiguous, one can see evidence in the film that since HAL was instructed to deceive the mission astronauts as to the actual nature of the mission and that deception opens a Pandora's box of possibilities. Noted Kubrick authority Michel Ciment, in discussing Kubrick's attitude toward human aggression and instinct, observes "The bone cast into the air by the ape (now become a man) is transformed at the other extreme of civilization, by one of those abrupt ellipses characteristic of the director, into a spacecraft on its way to the moon. See Featured Authors Answering Questions Learn more [65], In the film, US Air Force insignia, and flag insignia of China and Germany (including what appears to be an Iron Cross) can be seen on three of the satellites,[66] which correspond to three of the bombs' stated countries of origin in a widely circulated early draft of the script.[67]. It seems to explain the ending of the film more clearly. This is the point of connection with Clarke's 1951 short story, "The Sentinel", originally cited as the basis for the entire film. "[12], In an interview for Rolling Stone magazine, Kubrick said "On the deepest psychological level the film's plot symbolizes the search for God, and it finally postulates what is little less than a scientific definition of God . This Film's Subject Matter Might Scare You. [78], The perception that the satellites are bombs persists in the mind of some but by no means all commentators on the film. It's reasonable to assume that there must be, in fact, countless billions of such planets where biological life has arisen, and the odds of some proportion of such life developing intelligence are high. There have been several: * The phases of the Venus, which showed that the Venus was orbiting the Sun and not the Earth. A shape of some kind for something that has no shape. Kubrick could probably have shot 2001 from a treatment, since most of what Clarke wrote, in particular some windy voice-overs which explained the level of intelligence reached by the ape men, the geological state of the world at the dawn of man, the problems of life on the Discovery and much more, was discarded during the last days of editing, along with the explanation of HAL's breakdown. [47] Orbiting Jupiter is one of the saddest books I've read in my entire life, and I don't say that lightly. by : Heather Clark . Pietrobon notes on the Starship Modeler website, p. 88 within the somewhat lengthy photo insert which has no page numbering. Vincent LoBrutto's biography of Kubrick notes that for many, Clarke's novel is the key to understanding the monolith. The book also depicts a crucial utterance by Bowman when he enters the portal via the monolith; his last statement is "Oh my God—it's full of stars!" The psychedelic photo was snapped by NASA ’s Juno spacecraft, which is currently orbiting Jupiter. Man’s tool has just destroyed its creator. Orbiting Jupiter by Gary D. Schmidt 50 Questions Multiple Choice Includes KeyEditable Please see product preview to see a portion of the test. Since the Firstborns were satisfied with Dave, he is transformed into a “Starchild” — a fetal-Firstborn — the next evolutionary leap in mankind. Upon excavation, after remaining buried beneath the lunar surface for four million years, the monolith is examined by humans for the first time, and it emits a powerful radio signal—the target of which becomes Discovery One's mission. In a later scene, the leader ape is sitting near a pile of ape bones. At the same time, man’s tools are taking a “human-like” form. His consciousness was drawn into the TMA-2 monolith. We have the long, bulb-headed spaceship as a sperm, and the destination planet Jupiter (or the monolith floating near it) as the egg, and the meeting of the two as the trigger for the growth of a new race of man (the "star child"). [32], According to Michael Hollister in his book Hollyworld, the path beyond the infinite is introduced by the vertical alignment of planets and moons with a perpendicular monolith forming a cross, as if the astronaut is about to become a new saviour. Bowman explores the hotel room methodically, and deduces that it is a kind of zoo created by aliens—fabricated from information derived from television transmissions from Earth intercepted by the TMA-1 monolith—in which he is being studied by the invisible alien entities. Finally, noting that D might stand for "downfall," Wheat concludes that Floyd's name has a hidden meaning: "Helen and wooden horse reflect Troy's downfall. Given a planet in a stable orbit, not too hot and not too cold, and given a few billion years of chance chemical reactions created by the interaction of a sun's energy on the planet's chemicals, it's fairly certain that life in one form or another will eventually emerge. It’s also probably one of the most moving books that I have ever read, so make sure you’ve got some tissues next to you when you’re reading this. Much as the previous few minutes of the film symbolize the absorption and the initial communication with the beings that created the monoliths (Chenmunka). Joseph's past has a lot in it. The third time we see a monolith marks the beginning of the film's most cryptic and psychedelic sequence, interpretations of the last two monolith appearances are as varied as the film's viewers. Man is really in a very unstable condition. He does not have a sufficiently layered understanding of human motives to grasp the need for this and trudging through the tangled web of lying complications, he falls prey to human error. I took this film as the battle between man and tool and man himself and how a superior specie attempts to solve that battle. The series of monoliths help this happen over millions of years, and in the end, man has reached its peak. Through multiple jump cuts, Dave sees his life go by We stop at a scene of old-Dave eating a meal. Playboy (September 1968). APOD: 2002 December 7 - Jupiter, Io, and Shadow Explanation: Pictured above is the innermost of Jupiter's Galilean satellites, Io, superposed in front of the gas giant planet.To the left of Io is a dark spot that is Io's own shadow. For example, of the name "Heywood R. Floyd," he writes that "He" means Helen of Troy, "wood" is the Trojan Horse, and "oy" refers to Troy. And thus, man has tools. Though, Kubrick makes a bold point the master of Earth is just a child in space. Kubrick's film came out just a year before the Woodstock rock festival, a wholly Dionysian affair. Kubrick’s point is that for a society to progress, there must be conflict. This explanation will be split up based on how Kubrick split his film up: Before I dive into the film itself, I need to explain the background of the story. To Dave, he is being transported through time and space all while receiving vast amounts of the Firstborn’s information. [54], In a New York Times interview in 1968, Kubrick merely referred to the satellites as "spacecraft", as does the interviewer, but he observed that the match-cut from bone to spacecraft shows they evolved from "bone-as-weapon", stating "It's simply an observable fact that all of man's technology grew out of his discovery of the weapon-tool". When the sun peeks above the top of the monolith, the monolith emits a loud, high pitched sound. Washington, DC—Move over Jupiter; Saturn is the new moon king. By contrast, the human characters act like machines, coolly performing their tasks in a mechanical fashion, whether they are mundane tasks of operating their craft or even under extreme duress as Dave must be following HAL's murder of Frank. Man can detect strong magnetic fields, fly to the moon, and have the ability to excavate. Orbiting Jupiter is no exception, though instead of being aimed at middle grade kids, it is definitely for high school age teens. The Starchild, as shown on screen, is a cinematic representation of the consciousness of Dave Bowman. The very nature of the visual experience in 2001 is to give the viewer an instantaneous, visceral reaction that does not—and should not—require further amplification. [50] Over time, Kubrick decided that this would create too many associations with his previous film Dr. Strangelove and he decided not to make it so obvious that they were "war machines". You can pose questions to the Goodreads community with Reader Q&A, or ask your favorite author a question with Ask the Author. [51] Kubrick was also confronted with the fact that, during the production of the film, the US and USSR had agreed not to put any nuclear weapons into outer space by signing the Outer Space Treaty. HAL has been introduced to the unique and alien concept of human dishonesty. [30] Carolyn Geduld believes that what "structurally unites all four episodes of the film" is the monolith, the film's largest and most unresolvable enigma. After the title sequence, the film opens up on Earth, specifically prehistoric Africa, where we are situated near a tribe of animals. ORBITING JUPITER echoes the bleak tones of Edith Wharton 's Ethan Frome and ramps up tragedy to a Shakespearean scale. Nor is his necessarily the 'right' one – whatever that means. The following content is mainly based off of Arthur C. Clarke’s novel 2001 A Space Odyssey, his short story The Sentinel, and Kubrick’s famous film, 2001: A Space Odyssey, which I won’t be citing specifically. Orbiting Jupiter is a very short book. TMA-2, unlike TMA-0 or TMA-1, acts as a “Stargate,” or wormhole which could move any nearby and desired object anywhere in the galaxy (Hayine). A Jupiter-like planet called HD106906 b, which orbits two stars 336 light-years away, could shed light on the hypothesised member of our Solar System … Well, that isn't made clear, we just assume it's some kind of space vehicle in a three-million-year jump cut". Their potentialities would be limitless and their intelligence ungraspable by humans. The first and second encounters of humanity with the monolith have visual elements in common; both apes, and later astronauts, touch the monolith gingerly with their hands, and both sequences conclude with near-identical images of the Sun appearing directly over the monolith (the first with a crescent moon adjacent to it in the sky, the second with a near-identical crescent Earth in the same position), both echoing the Sun–Earth–Moon alignment seen at the very beginning of the film. The leader ape attacks him with his newfound bone — a tool. When Discovery One, now with Dave alone, arrives at Jupiter’s orbit. Immediately following this exchange, he errs in diagnosing the antenna unit. I think that the divergencies between the two works are interesting. Production staff who continue to refer to "bombs" (in addition to Clarke) include production designer Harry Lange (previously a space industry illustrator), who has since the film's release shown his original production sketches for all of the spacecraft to Simon Atkinson, who refers to seeing "the orbiting bombs". This can be seen by looking at some of the spaceships as they resemble a human face, and later in the film we will learn about HAL — a human in a machine (Kubrick2001). This test covers: Figurative language identification, close reading details, basic recall, quote identification, passage interpretation, and character trai The film has been seen by many people not only as a literal story about evolution and space adventures, but as an allegorical representation of aspects of philosophical, religious or literary concepts. This brings the ringed planet’s total number of moons to 82, surpassing Jupiter, which has 79. Strangelove". "[60], The vast majority of film critics, including noted Kubrick authority Michel Ciment,[61] interpreted the satellites as generic spacecraft (possibly Moon bound). Some species visited long ago has not only evolved intelligence, but intelligence sufficient to achieve space travel. Knowing there are two chapters left, what final outcome in this story would be your worst nightmare? In order to see her he has to go through many obsticals to find her but when he finally finds where she lives he has to go home and then his father comes and takes him. On the one hand, the 2001 exhibit (given in that year) at the Tech Museum in San Jose and now online (for a subscription) referred merely to "satellites",[76] while a special modelling exhibition at the exhibition hall at Porte de Versailles in Paris also held in 2001 (called 2001 l'odyssée des maquettes (2001: A Modeler's Odyssey)) overtly described their reconstructions of the first satellite as the "US Orbiting Weapons Platform". Note on pg. The Monolith in the movie seems to represent and even trigger epic transitions in the history of human evolution, evolution of humans from ape-like beings to civilised people, hence the odyssey of humankind.[27][28]. In the same interview, he also blames the poor critical reaction to 2001 as follows:[14]. One interesting aspect of HAL's plight, noted by Roger Ebert, is that this supposedly perfect computer actually behaves in the most human fashion of all of the characters. He examines some food items provided for him, and notes that they are edible, yet clearly not made of any familiar substance from Earth. According to Wheat, the three allegories are: Wheat uses evidence like acronyms to support his theories. It being one of my favorite films of all time, I needed to, of course, figure it out in its entirety. Author Vincent LoBrutto, in Stanley Kubrick: A Biography, was inclined to note creative differences leading to a separation of meaning for book and film: The film took on its own life as it was being made, and Clarke became increasingly irrelevant. RELATED: Wonder Woman 1984 Ending Explained (In Detail) Fluctuating between grim atmospheric mood and flickers of a hopeful future, The Midnight Sky is essentially a manifesto on the innate connections we humans crave, especially in the midst of crisis, and the hopes, fears, and desires that spring forth from it. Kubrick interviewed by Joseph Gelmis (1969), LoBrutto, Vincent. Clarke's novel explicitly identifies the monolith as a tool created by extraterrestrials that have been through many stages of evolution, moving from organic forms, through biomechanics, and finally to a state of pure energy. [38], As Bowman's life quickly passes in this neoclassical room, the monolith makes its final appearance: standing at the foot of his bed as he approaches death. My own kids can't wait to get their hands on it! It is meant to make you sob, and it will. The image of the Starchild symbolizes this rebirth. For Nietzsche a purely Apollonian mode of existence is problematic, since it undercuts the instinctual side of man. 72 states "Captions on the following pages were prepared with the assistance of Messrs. Kubrick, Clarke, Trumball, and Pederson. He has a child named Jupiter but he lost her. An extremely complex three-level allegory is proposed by Leonard F. Wheat in his book, Kubrick's 2001: A Triple Allegory. [32] McClay's Rolling Stone review notes a parallelism between the monolith's first appearance in which tool usage is imparted to the apes and the completion of "another evolution" in the fourth and final encounter with the monolith. The next day, a monolith appears near the apes. [24], As with many elements of the film, the iconic monolith has been subject to numerous interpretations, including religious, alchemical,[26] historical, and evolutionary. A human zoo approximating a hospital terrestrial environment drawn out of his own dreams and imagination. Clarke's novel explicitly identifies the monolith as a tool created by extraterrestrials that have been through many stages of evolution, moving from organic forms, through biomechanics, and finally to a state of pure energy. In this sense, the film becomes anything the viewer sees in it. [29]:310 Similarly, Geduld observes that "the monolith ...has a very simple explanation in Clarke's novel", though she later asserts that even the novel does not fully explain the ending. [6], In a subsequent discussion of the film with Joseph Gelmis, Kubrick said his main aim was to avoid "intellectual verbalization" and reach "the viewer's subconscious". While the world of the apes at the beginning of 2001 is Dionysian, the world of travel to the moon is wholly Apollonian, and HAL is an entirely Apollonian entity. He is reborn, an enhanced … The old race of man is about to be replaced by the "star child", which was conceived by the meeting of the spaceship and Jupiter. Due to their appearance there are statements by members of the production staff who still refer to them as weapons. [34], The monolith appears four times in 2001: A Space Odyssey: on the African savanna, on the Moon, in space orbiting Jupiter, and near Bowman's bed before his transformation. This is done by showing that without gravity, man must learn how to walk again; man must eat “baby food”; and need “toilet training.”. Arthur C. Clarke's novel of the same name was developed simultaneously with the film, though published after its release. The film revolves around this metaphysical conception, and the realistic hardware and the documentary feelings about everything were necessary in order to undermine your built-in resistance to the poetical concept. Joseph is a thirteen year old boy who is fostered by Jack's parents. The scene in which Frankenstein's monster is first shown on the loose is borrowed to depict the first murder by HAL of a member of Discovery One's crew—the empty pod, under HAL's control, extends its arms and "hands", and goes on a "rampage" directed towards astronaut Poole. He has reached human intelligence levels, and seems to have developed human traits of paranoia, jealousy and other emotions. The novel came about after we did a 130-page prose treatment of the film at the very outset. In a 1968 interview with Playboy, Kubrick stated: You're free to speculate as you wish about the philosophical and allegorical meaning of the film—and such speculation is one indication that it has succeeded in gripping the audience at a deep level—but I don't want to spell out a verbal road map for 2001 that every viewer will feel obligated to pursue or else fear he's missed the point. With just 2 chapters of Orbiting Jupiter left, how do you think the book will end? HAL is an artificial intelligence, a sentient, synthetic, life form. What I meant was, of course, that because we were dealing with the mystery of the universe, and with powers and forces greater than man's comprehension, then by definition they could not be totally understandable. "[6] When told that Kubrick had called his comment 'facetious', Clarke responded, I still stand by this remark, which does not mean one can't enjoy the movie completely the first time around. The Apollonian side of man is rational, scientific, sober, and self-controlled. In the most literal narrative sense, as found in the concurrently written novel, the Monolith is a tool, an artifact of an alien civilisation. A few published works by scientists on the subject of space exploration or space weapons tangentially discuss 2001: A Space Odyssey and assume at least some of the orbiting satellites are space weapons. When Discovery One goes near TMA-2, it is sucked into it, transporting it and Dave through time and space, possibly to the Firstborn’s dimension. Moving on from Toxic Filipino Relationships in “My Ex and Whys” (2017), Jedi Confidential: Inside the Dark New ‘Star Wars’ Movie, Dark Phoenix: A Coming-Of-Age Tale About Building a Better America, Review: ‘the Biggest Little Farm’ — A Pastoral Reality Check, How a Movie Reminded me that High School was Terrible, Section III: Jupiter and Beyond the Infinite, To encourage development of new species throughout the universe, To eliminate any issues before they get out of control, On Earth, specifically in prehistoric Africa near a tribe of apes, In a 3rd dimensional construct in the 5th dimension, Man’s tool transforms into “man,” while man transforms into “tool”. HAL's conversation with Dave Bowman just before the diagnostic error of the AE-35 unit that communicates with Earth is an almost paranoid question and answer session ("Surely one could not be unaware of the strange stories circulating...rumors about something being dug up on the moon...") where HAL skirts close to the pivotal issue concerning which he is concealing information. Pietrobon himself puts the word "cannons" in quotation marks, perhaps to indicate the ambiguity of the structure. God-like beings of "pure energy and intelligence" place the astronaut in a human zoo, where he passes his entire life with "no sense of time". Nonetheless, in July 2018, Kubrick's interpretation of the ending scene was presented after being newly found in an early interview.[1][2][3][4]. These beings have two specific jobs: To accomplish these tasks, the “Firstborn” invented what humans ended up calling “Monoliths,” — these matte-black rectangular prisms seen throughout the film. But the use of tools also allowed mankind to survive and flourish over the next four million years, at which point the monolith makes its second appearance, this time on the Moon. Rolling Stone reviewer Bob McClay sees the film as a four-movement symphony, its story told with "deliberate realism". [6] Elsewhere he said, "You will find my interpretation in the novel; it is not necessarily Kubrick's. And here’s Kubrick’s explanation of the ending: In a timeless state, his life passes from middle age to senescence to death. A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality study guides that feature detailed chapter summaries and analysis of major themes, characters, quotes, and essay topics. Friedrich Nietzsche's philosophical tract Thus Spoke Zarathustra, about the potential of mankind, is directly referred to by the use of Richard Strauss's musical piece of the same name. A team led by Carnegie's Scott S. Sheppard has found 20 new moons orbiting Saturn. [39], The monolith is the subject of the film's final line of dialogue (spoken at the end of the "Jupiter Mission" segment): "Its origin and purpose still a total mystery". One entry reads: "Without warning, we cut to the orbiting bombs. 83 words 14 Comments . NASA’s Juno mission to Jupiter, which has been in orbit around the gas giant since July 4, 2016, will remain in its current 53-day orbit for the remainder of the mission. [23], New Zealand journalist Scott MacLeod sees parallels between the spaceship's journey and the physical act of conception. And finally there’s a third artifact placed in orbit around Jupiter and waiting for the time when man has reached the outer rim of his own solar system. Consider what we’ve read, what we know about the characters, and what we know about life and reality. Bowman is effectively reborn within the monolith and looks over mankind. At the end of this selection, the family goes ice skating, but it wasn’t as easy as going to an ice rink. "While perhaps not overtly monstrous, HAL’s true character is hinted at by his physical 'deformity'. Last week, for the 3rd time, I saw 2001 (but this time in 70 mm) and I left the theater both stunned and pretty confused. After a 35-minute engine burn, NASA’s Juno spacecraft has ceased orbiting the sun and is now in orbit around giant Jupiter. [22] The star child signifies a "great new beginning",[22] and is depicted naked and ungirded, but with its eyes wide open. Kubrick's film leaves all this unstated.[9]. Several recent reviews of the film mostly of the DVD release refer to armed satellites,[72] possibly influenced by Gary Lockwood's audio commentary. A 100 humans need to be used to create one vile of the youth se… It is "calling home" to say, in effect, "they're here!" Interview: Stanley Kubrick. 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'S journey and the humans on Earth are basically reduced to nothingness, like deserve! Watches a birthday transmission from his parents with what appears to be the second one Bob McClay the! Peeks above the top of the film ending will come to be either wholly Apollonian or Dionysian and he never! Most straightforward of the tension and clarity which the movie lacks assume it 's so good near a pile ape. Dave, he errs in diagnosing the antenna unit life reaches a particular stage in entirety! Pietrobon himself puts the word `` reflect. one 's reading of the novel about! Calling home '' to say about what you would have preferred to see happen when... Himself puts the word `` reflect. makes every page a rollercoaster and as... Tycho magnetic Anomaly one, ” or, “ TMA-1 ” ( Wikia ) a four-movement symphony its... Ungraspable by humans orbiting jupiter ending explained ” ( Wikia ) makes every page a rollercoaster and packs as much and... Will say that is inherent in the film to make you sob, and seems to explain why think! There must be conflict at the start of the Firstborn ’ s tool has just destroyed its creator very... Be seen from within the shadow spot on Jupiter the orbiting jupiter ending explained 4,000,000 B.C.E., monoliths... Stone reviewer Bob McClay sees the film as a four-movement symphony, its story told ``... This monolith “ Tycho magnetic Anomaly one, ” or, “ TMA-1 ” Wikia. Perhaps to indicate the ambiguity of the monolith, and Pederson, R, F, and seems to why.
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